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You've selected:
So Many Ways
Sheetmusic to print
356 sheet music found
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So Many Ways
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841824 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841824 Composed by Andrew Mc Donald. Christian,Contemporary,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #3478171. Published by Andrew Mc Donald (Macka Records) (A0.841824). So Many Ways is a song about being a servant with a good attitude.There are so many ways and things you could do to show love towards someone. You could do the dishes or mow the lawn for example.We should serve one another diligently and happily.
$4.99
4.66 €
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Piano, Voice
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Andrew Mc Donald
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So Many Ways
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Andrew Mc Donald
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SheetMusicPlus
Grandfather Clock Recorder /flute duet/ any instrument!
2 Flutes (duet)
Woodwind Ensemble - Level 1 - Digital Download SKU: A0.954354 Composed by Henry Cla…
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Woodwind Ensemble - Level 1 - Digital Download SKU: A0.954354 Composed by Henry Clay Work. Arranged by R.Brown, JCBmusic. Children. 3 pages. Rachel Brown #3479281. Published by Rachel Brown (A0.954354). Duet of the children's favourite the Grandfather clock. So many ways to play this - with virtually any instruments that are in the same key. Do as many verses as you like, add in the descant for the last verse or play it all the way through. Great for school groups, small groups. Full version with guitar, piano and voice available on my publisher page here https://www.sheetmusicplus.com/publishers/jcbmusic-sheet-music/3005705
$2.99
2.79 €
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2 Flutes (duet)
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Henry Clay Work
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Grandfather Clock Recorder /flute duet/ any instrument!
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Rachel Brown
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SheetMusicPlus
Hark The Herald Angel Sings - Score Only
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.1106803 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.1106803 Composed by Unknown. Arranged by Pete Cross. Christian,Christmas,Praise & Worship. 7 pages. Robert Peter Cross #709677. Published by Robert Peter Cross (A0.1106803). Hark the herald angel sings is a classic which has been arranged in so many ways, so it is very difficult to do something different, so I hope giving it a bit of a jazz feel just might be different.
$15.00
14 €
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Flute, Oboe, Clarinet, Bassoon
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Unknown
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Hark The Herald Angel Sings - Score Only
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Robert Peter Cross
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SheetMusicPlus
It Was You - A Song For Grandparents' Day [Piano and Vocals]
Choral Unison
Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.1007860 Composed by by A…
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Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.1007860 Composed by by Australian composer, Rebecca Summers. Children. Octavo. 5 pages. Rebecca Summers #3907535. Published by Rebecca Summers (A0.1007860). A song written especially for young voices to celebrate the value of our Grandparents. Terrific for Grandparents' Day ceremonies for whole schools to perform with a very simple chorus that even the tiniest student can take part. Bound to get some hearts moving. Piano part and vocal lead sheet available separately. Lyrics Please know I’ll remember The time we’ve spent together You taught me things so eagerly To take my life less seriously Your house is full of clutter You say it doesn’t matter Life’s too short to pick up socks To burn a bridge or turn a lock PRECHORUS And it was you Who taught me ‘bout family And it was you Who showed me how to love CHORUS Older, wiser, softer, kinder Older, wiser, softer, kinder Older. wiser, softer, kinder Older, wiser, softer, kinder VERSE 2 Your laugh makes people stop and stare You hear songs and music everywhere I’ve seen you tango with a mop Fed me cakes, hot chips and lollipops You seem to have more time for me You’d sweat and laugh and lie for me Your grass gets greener everyday I’m glad you’re here with me today CODA Please know I’ll remember,the time we spent togetherI need you in so many waysLet me wish you Happy Grandparents’ Day
$1.99
1.86 €
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Choral Unison
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by Australian composer, Rebecca Summers
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It Was You - A Song For Grandparents' Day [Piano and Vocals]
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Rebecca Summers
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SheetMusicPlus
So Many Ways from Up Here - Piano/Vocal/Chords, Singer Pro
Piano, Voice
Sheet Music for So Many Ways from Up Here arranged for Piano/Vocal/Chords;Singer Pro in F …
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Sheet Music for So Many Ways from Up Here arranged for Piano/Vocal/Chords;Singer Pro in F Major. Digital sheet music from Musicnotes. --
$6.99
6.52 €
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Piano, Voice
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Piano/Vocal/Chords, Singer Pro
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Musicnotes
So Many Ways by Carole King - Piano/Vocal/Guitar
Piano, Vocal and Guitar
Performed by: Carole King: So Many Ways Digital Sheetmusic - instantly downloadable sheet …
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Performed by: Carole King: So Many Ways Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 4 pages -- Pop Rock~~Singer-Songwriter~~Soft Rock
$5.50
5.13 €
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Piano, Vocal and Guitar
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Carole King
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Piano/Vocal/Guitar
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Musicnotes
Slavonic Dance op 72 no 2 in E minor For Flute Duet and Piano
2 Flutes (duet)
Flute Duet Flute - Level 2 - Digital Download SKU: A0.1372437 Composed by Antonin D…
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Flute Duet Flute - Level 2 - Digital Download SKU: A0.1372437 Composed by Antonin Dvorak. Arranged by Grant Horsley. 19th Century,Classical,Contest,Festival,Folk,Romantic Period. Score. 20 pages. Grant Horsley #956736. Published by Grant Horsley (A0.1372437). Slavonic dances are inspired by the folk rhythms and styles of Slavic nations, This wonderful piece composed in 1886 is one of the finest and most well known. It has been arranged for early intermediate players, although the whole score is on the youtube link for you to assess. I have written it in 3/4 time instead of the original 3/8 for ease of reading. The phrasing has been adapted to keep as close to the original as possible. There are also small variations in the final section to keep the arrangement cohesive. It has been covered in so many ways for such a variety of instrumental combinations as it's such a popular memorable piece. It is useful for concerts, recitals, weddings, incidental music etc.It is roughly 5 minutes in length.Price is for the full score and parts.
$5.99
5.59 €
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2 Flutes (duet)
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Antonin Dvorak
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Slavonic Dance op 72 no 2 in E minor For Flute Duet and Piano
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Grant Horsley
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SheetMusicPlus
Slavonic Dance op 72 no 2 Dvorak. For Flute Clarinet and Piano.
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 2 - Digital Downloa…
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.1372589 Composed by Antonin Dvorak. Arranged by Grant Horsley. 19th Century,Classical,Contest,Festival,Folk,Romantic Period. 20 pages. Grant Horsley #956921. Published by Grant Horsley (A0.1372589). Slavonic dances are inspired by the folk rhythms and styles of Slavic nations, This wonderful piece composed in 1886 is one of the finest and most well known.It has been arranged for early intermediate players, although the whole score is on the youtube link for you to assess. I have written it in 3/4 time instead of the original 3/8 for ease of reading. The phrasing has been adapted to keep as close to the original as possible.There are also small variations in the final section to keep the arrangement cohesive. It has been covered in so many ways for such a variety of instrumental combinations as it's such a popular memorable piece. It is useful for concerts, recitals, weddings, incidental music etc.It is roughly 5 minutes in length.Price is for full score and parts.
$5.99
5.59 €
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Antonin Dvorak
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Slavonic Dance op 72 no 2 Dvorak. For Flute Clarinet and Piano.
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Grant Horsley
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SheetMusicPlus
Slavonic Dance op 72 no 2 in E minor For Violin Duet and Piano
2 Violins (duet)
Violin Duet Violin - Level 2 - Digital Download SKU: A0.1372454 Composed by Antonin…
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Violin Duet Violin - Level 2 - Digital Download SKU: A0.1372454 Composed by Antonin Dvorak. Arranged by Grant Horsley. 19th Century,Classical,Contest,Festival,Folk,Romantic Period. 20 pages. Grant Horsley #956761. Published by Grant Horsley (A0.1372454). Slavonic dances are inspired by the folk rhythms and styles of Slavic nations, This wonderful piece composed in 1886 is one of the finest and most well known.It has been arranged for early intermediate players, although the whole score is on the youtube link for you to assess. I have written it in 3/4 time instead of the original 3/8 for ease of reading. The phrasing has been adapted to keep as close to the original as possible. Bowing has been left to the performers.There are also small variations in the final section to keep the arrangement cohesive. It has been covered in so many ways for such a variety of instrumental combinations as it's such a popular memorable piece. It is useful for concerts, recitals, weddings, incidental music etc.It is roughly 5 minutes in length.Price is for the full score and parts.
$5.99
5.59 €
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2 Violins (duet)
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Antonin Dvorak
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Slavonic Dance op 72 no 2 in E minor For Violin Duet and Piano
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Grant Horsley
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SheetMusicPlus
Slavonic Dance op 72 no 2 Dvorak. For Clarinet Duet and Piano.
2 Clarinets (duet)
Clarinet Duet Clarinet - Level 2 - Digital Download SKU: A0.1373311 By Grant Horsle…
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Clarinet Duet Clarinet - Level 2 - Digital Download SKU: A0.1373311 By Grant Horsley. By A Dvorak. Arranged by Grant Horsley. 19th Century,Classical,Contest,Festival,Folk,Romantic Period. 2 scores. 20 pages. Grant Horsley #957657. Published by Grant Horsley (A0.1373311). Slavonic dances are inspired by the folk rhythms and styles of Slavic nations, This wonderful piece composed in 1886 is one of the finest and most well known.It has been arranged for early intermediate players, although the whole score is on the youtube link for you to assess. I have written it in 3/4 time instead of the original 3/8 for ease of reading. The phrasing has been adapted to keep as close to the original as possible.There are also small variations in the final section to keep the arrangement cohesive. It has been covered in so many ways for such a variety of instrumental combinations as it's such a popular memorable piece. It is useful for concerts, recitals, weddings, incidental music etc.It is roughly 5 minutes in length.Price is for full score and parts.
$5.99
5.59 €
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2 Clarinets (duet)
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Grant Horsley
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Slavonic Dance op 72 no 2 Dvorak. For Clarinet Duet and Piano.
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Grant Horsley
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SheetMusicPlus
Slavonic Dance op 72 no 2 Dvorak. For Violin, Cello and Piano.
Piano Trio: piano, violin, cello
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 3 - Digital Download …
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.1373904 Composed by Antonin Dvorak. Arranged by Grant Horsley. 19th Century,Classical,Contest,Festival,Folk,Romantic Period. 20 pages. Grant Horsley #958380. Published by Grant Horsley (A0.1373904). Slavonic dances are inspired by the folk rhythms and styles of Slavic nations, This wonderful piece composed in 1886 is one of the finest and most well known.It has been arranged for intermediate players, although the whole score is on the youtube link for you to assess. I have written it in 3/4 time instead of the original 3/8 for ease of reading. The phrasing has been adapted to keep as close to the original as possible. Bowing is left to the performers.There are also small variations in the final section to keep the arrangement cohesive. It has been covered in so many ways for such a variety of instrumental combinations as it's such a popular memorable piece. It is useful for concerts, recitals, weddings, incidental music etc.It is roughly 5 minutes in length.Price is for full score and parts.
$5.99
5.59 €
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Piano Trio: piano, violin, cello
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Antonin Dvorak
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Slavonic Dance op 72 no 2 Dvorak. For Violin, Cello and Piano.
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Grant Horsley
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SheetMusicPlus
She's Leaving Home
Choral SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856251 By The Beatles. By …
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856251 By The Beatles. By John Lennon and Paul McCartney. Arranged by Liz Garnett. Rock. Octavo. 7 pages. Liz Garnett #6096635. Published by Liz Garnett (A0.856251). This classic Beatles song is extraordinary in so many ways. With simple, direct story-telling it gives a vivid snapshot of lived experience in a time of social change, clothed in Debussian harmonies on string quartet and harp. The layering of different narrative points of view in the choruses is incredibly clever - combining musical simultaneity with lyrical intelligibility. Watch and learn.The arrangement aims to stay out of the way of the song - to let the story through, whilst alluding to the subtleties of the original without letting the details distract.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: D4 - FsLead: B flat 3 - C5Bari: B flat 3 - B flat 4Bass: E flat 3 - E4www.HelpingYouHarmonise.com
$2.99
2.79 €
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Choral SSAA
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The Beatles
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She's Leaving Home
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Liz Garnett
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SheetMusicPlus
If Not Now, When?
Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - Digital Downloa…
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Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - Digital Download SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pages. Cool Wind Music Digital #3056419. Published by Cool Wind Music Digital (A0.841258). Full set of parts: Please contact Chris Gordon at the email address on the first page of music for details.IF NOT NOW, WHEN? If Not Now, When? gets its title from the novel by Primo Levi, the Italian author who both survived life in Auschwitz and fought the continued German military presence in Italy with the Resistance after the Italian surrender to the Allies in September 1943. Levi meant that revolution and the overthrow of tyranny should never be 'put off until tomorrow'. If you believe you are on the side of right, then 'seize the day'- tomorrow may be too late. The inspiration for INNW? grew from research I was doing into an early song by Alban Berg called An Leukon which Berg wrote in 1907 while a student of Arnold Schoenberg. In delving into the kind of world which Berg inhabited in the Vienna of 100 years ago, I was fascinated by the café culture* which played a pivotal role in the lives of most artists: not only composers, but also writers, painters, architects and journalists. They swirled around the fashionable 'watering holes' sucking up current thoughts and ideas, high on Viennese coffee, cigar smoke and idealism! I envisaged a play which tried to encapsulate all this and wrote a few scenes with characters such as Schoenberg, Berg, Webern, Steuermann, Pisk, Kraus, Gropius and Altenberg heatedly discussing music, art and poetry over large cups of milky coffee. This grew into the framework for INNW? which, to paraphrase Pirandello's play about characters seeking an author, is a 'play without words in several scenes'. The piece is organised into 8 short movements or 'scenes' showing the 'Schoenberg cirle' sharing their radical and daring ideas and the shock or delight (or both simultaneously) with which those ideas are greeted. The first, which happens to be the longest, is rooted in conventional tonality. It begins with a fanfare in D flat major ('aux armes, citoyens!'), then seeks a 'freer' tonality by means of the 'emancipation of the semitone' only to capitulate in the central section and, finally, to 'fall back to earth' by winding down in G sharp minor. These 'scenes' are not meant to represent particular composers. They are, however, meant to represent the kinds of directions in which music could progress, given the 'breakdown' or 'stretching to its limits' of traditional harmony which had occurred in the previous 10 to 20 years. So many ways forward were promulgated, with one after another extraordinary, and often unexpected, futuristic musical panoramas glimpsed momentarily. My aim is to demonstrate which directions they decided they could head in having cleared the 'overgrown' path before them. * I even discovered that, around this time, in the Café Central, a certain Leon (Lev) Bronstein, otherwise known as Leon Trotsky, banished by the Okhrana (Imperial secrect police) from his native Russia, would spend all day in a back room playing chess. How delicious, I thought, if Schoenberg had ever brushed passed Trotsky or, indeed, had ever spoken to him: the one planning political and the other musical revolution!
$25.00
23.33 €
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Chris Gordon
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If Not Now, When?
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Cool Wind Music Digital
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SheetMusicPlus
Glorious God
Choral SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.977293 Composed by …
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.977293 Composed by Tim Russell. Arranged by Tim Russell. Praise & Worship,Sacred. 2 pages. Sing Alleluia! Music #5740775. Published by Sing Alleluia! Music (A0.977293). SATB song ideal for a small group, choir or congregation. So many ways why God is a glorious God!
$2.99
2.79 €
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Choral SATB
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Tim Russell
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Glorious God
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Sing Alleluia! Music
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SheetMusicPlus
REMEMBER ALWAYS
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.835555 Composed by Vincent Vi…
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String Orchestra - Level 3 - Digital Download SKU: A0.835555 Composed by Vincent Vitale. Contemporary. Score and parts. 12 pages. Vincent Vitale #3619035. Published by Vincent Vitale (A0.835555). REMEMBER ALWAYS is written in loving memory of Catherine C. Hettle (Mum) and is my humble tribute to a most wonderful person and mother of my best friend Mark . I first met Mum when I was 19 years old while serving in the US Navy and she immediately treated me with such kindness which I never forgot. After losing contact for a number of years I was so glad and fortunate that I was able to once again be a small part of her life. You will be dearly missed Mum by so many. There are no good-byes because loved ones will always live in our hearts. REMEMBER ALWAYS is written for intermediate students and includes full score and parts for Violin 1, Violin 2, Viola, Cello, String Bass and optional Soprano and Baritone vocals. The vocal parts are vocalised without the use of words such as in the final movement of The Planets by Holst. As an example the vowel ‘ah‘ could be used but the choice will be the director’s. Perform this work with only one to a part or use multiples for a fuller sound. It can also be performed without the vocals. I sincerely hope you and your students enjoy performing this piece, If this composition appeals to you please consider others in this string series by typing VINCENT VITALE in the search bar located on the home page. I thank you very much for your consideration and wish you and your students much musical success.
$22.00
20.53 €
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String Orchestra
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Vincent Vitale
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REMEMBER ALWAYS
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Vincent Vitale
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SheetMusicPlus
Always On My Mind
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1228312 By Elvis Presley. …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1228312 By Elvis Presley. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Jean-Francois Noel. Country,Pop. Octavo. 7 pages. Jean-Francois Noel #824429. Published by Jean-Francois Noel (A0.1228312). Simple arrangement of the huge success reprised by so many famous artists, this arrangement will please the audience as much as the choir.
$2.25
2.1 €
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Choral SATB
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Elvis Presley
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Always On My Mind
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Jean-Francois Noel
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SheetMusicPlus
May You Always
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.736356 By The Mcguire Sist…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.736356 By The Mcguire Sisters. By Dick Charles and Larry Markes. Arranged by Judy MacDonald & Joey Minshall. A Cappella. Octavo. 3 pages. Joey Minshall #6353643. Published by Joey Minshall (A0.736356). A heart-lifting message, and lovely melody and harmonisations make this 50's era McGuire Sisters song memorable, so many years later. Voiced for SSAA in barbershop style, this is a contestable arrangement, with a moderate challenge level.
$3.25
3.03 €
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Choral SSAA
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The Mcguire Sisters
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May You Always
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Joey Minshall
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SheetMusicPlus
Tutte dormono sulla collina
Violin and Piano
Small Ensemble,Strings Cello,Organ,Pan Pipe,Piano,Violin - Digital Download SKU: A0.976…
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Small Ensemble,Strings Cello,Organ,Pan Pipe,Piano,Violin - Digital Download SKU: A0.976835 Composed by Monica Bergo. Spiritual. Score and parts. 35 pages. Monica Bergo #3235427. Published by Monica Bergo (A0.976835). 2017 Holiday Contest EntryALL SLEEPING ON THE HILL While it flowing words and pictures All are sleeping on the hill They are so many, so beautiful and pale They are waiting on the hill Princesses looking frail That pose themselves unnecessary questions They are died and now are free but they wonder why If I Had been more yielding, if I had been a little 'more docile He is always so unstable, maybe it was my fault If I Had known take him, and learned not to respond If I always said yes, I would be alive and still there They are women of all nationalities And girls who never bloom While the seasons and the years pass Their face is ageless And they are mothers, daughters or lovers Prostitutes, holy or wives No heaven or hell They are waiting for you Tonight the sky is brighter They will be shining Shooting stars now that you do not have a sky Tell me where you flee Do you feel guilty But you're not you that you have sinned Hide the signs And the secret inside you Everybody knows but it is more comfortable silence As long as you lie to yourself I had a dream, a nightmare, but I was awake On the hill expecting me Princess, sleeps in the trash Your Prince control no longer has And a tear remains motionless Witness of this' atrocities You Follow the avenue of pain and tears And walking on the hill and reach the motionless companions Waiting for you on the hill unites them by horrible fate Different stories with the same ending And as avenging goddesses expect The man who defiled And it is a black angels army their choir is high is unstoppable resonates loud, an echo that is relentless haunt your sleep and a thousand ways to beat you know; Hide the world what you really are the last image behind those eyes the blind fury inside you while in the sky it appears lightning I launch myself on the hill I put a flower and remain motionless And and I fall asleep here , on the hill ......... .. Monica Bergo
$3.99
3.72 €
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Violin and Piano
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Monica Bergo
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it  
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Tutte dormono sulla collina
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Monica Bergo
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SheetMusicPlus
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,…
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
9.33 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,Englis…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
9.33 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
2020: The Year We Could Not Breathe
Flute
Flute Solo,Soprano Flute - Level 5 - Digital Download SKU: A0.1289764 Composed by A…
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Flute Solo,Soprano Flute - Level 5 - Digital Download SKU: A0.1289764 Composed by Adrian Dee. 21st Century,Chamber,Classical. Individual part. 10 pages. Adrian Dee #880461. Published by Adrian Dee (A0.1289764). I was thinking about all the ways in which we could not breathe in 2020 - George Floyd's last words, the COVID-19 pandemic putting us all on masks and respirators, the wildfires filling our homes with smoke, the racism that has silenced so many for so long. I thought it would be interesting to write a piece with all that in mind for flute, an instrument which is, of course, all about breathing. The piece is one movement with four sections: George Floyd, Protests, Respirators, and Wildfires. It runs approximately 9 to 10 minutes, at the performer’s discretion. It requires some improvisation, a few special effects (multiphonics, use of voice, jet whistle), some serious breath control, and a lot of energy. The performer is asked to breathe in specific ways, to make the audience aware of the breathing, and to become uncomfortably short of breath. There is also optional use of electronic Loop for layering voices in the final section.This piece was premiered by Anthony Trionfo at the National Flute Association convention, Aug. 4, 2023. Check out the Youtube link for an exciting performance.This is an intensely emotional piece and unlike my other compositions. I'd love to hear your feedback: adriandeeflute@gmail.com.
$15.99
14.92 €
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Flute
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Adrian Dee
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2020: The Year We Could Not Breathe
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Adrian Dee
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SheetMusicPlus
Christmas Near 'n Far - Level 2
Piano solo
Piano - Level 2 - Digital Download SKU: LX.40-1059H Composed by Walter and Carol No…
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Piano - Level 2 - Digital Download SKU: LX.40-1059H Composed by Walter and Carol Noona. Piano Collection. Christmas. 20 pages. Heritage Music Press #e40/1059H. Published by Heritage Music Press (LX.40-1059H). Christmas is celebrated in many ways. Each country has its own traditions, stories, and music. This book of carols contains melodies from France, Germany, England, Poland, Spain, and Scotland. So journey near and far and enjoy the improvisational style woven throughout these lasting musical treasures from around the world.
$4.95
4.62 €
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Piano solo
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Walter and Carol Noona
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Christmas Near 'n Far - Level 2
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Heritage Music Press
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SheetMusicPlus
A Whitman Triptych: III. Facing West (Downloadable)
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digi…
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych” were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass” was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed” as the basis for my composition “Invocation and Dance.” I went on to set “Good-Bye, My Fancy” for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road” for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
$2.65
2.47 €
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David Conte
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A Whitman Triptych: III. Facing West
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
The Magic of Christmas Is...
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.498691 By Karen Lee Bridge and Neil W.…
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Piano,Vocal,Voice - Digital Download SKU: A0.498691 By Karen Lee Bridge and Neil W. Bridge. By Lyrics by Karen Lee Bridge and Music by Neil W. Bridge. Arranged by Neil W. Bridge. Christmas,Classical,Film/TV,Holiday,Jazz. Score. 2 pages. Published by Neil W. and Karen Lee Bridge (A0.498691). Here is a new Christmas Song for the world... entitled The Magic of Christmas Is... It is a beautiful Waltz! On our YouTube version... you will hear our Piano and Vocal version...however, our song can be arranged and or orchestrated in so many lovely and cool ways! The two of us visualize any and all people... including many professional recording artists... musicians and vocalists, big bands, choir's, school programs, movies, TV, videos, etc etc etc!... recording our song. We are so thrilled to have our first original song copyrighted and available to all of you! Many Blessings, Neil W. Bridge and Karen Lee Bridge.
$4.99
4.66 €
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Piano, Voice
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Karen Lee Bridge and Neil W
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The Magic of Christmas Is...
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Neil W. and Karen Lee Bridge
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SheetMusicPlus
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